The Journal of Seventeenth-Century Music
Items appearing in JSCM may be saved and stored in electronic or paper form and may be shared among individuals for all non-commercial purposes. For a summary of the Journal's open-access license, see the footer to the homepage, https://sscm-jscm.org. Commercial redistribution of an item published in JSCM requires prior, written permission from the Editor-in-Chief, and must include the following information:
This item appeared in the Journal of Seventeenth Century Music (https://sscm-jscm.org/) [volume, no. (year)], under a CC BY-NC-ND license, and it is republished here with permission.
Libraries may archive complete issues or selected articles for public access, in electronic or paper form, so long as no access fee is charged. Exceptions to this requirement must be approved in writing by the Editor-in-Chief of JSCM.
Citations of information published in JSCM should include the paragraph number and the URL. The content of an article in JSCM is stable once it is published (although subsequent communications about it are noted and linked at the end of the original article); therefore, the date of access is optional in a citation.
We offer the following as a model:
Noel O’Regan, “Asprilio Pacelli, Ludovico da Viadana and the Origins of the Roman Concerto Ecclesiastico,” Journal of Seventeenth-Century Music 6, no. 1 (2000): par. 4.3, https://sscm-jscm.org/v6/no1/oregan.html.
Copyright © Society for Seventeenth-Century Music.
ISSN: 1089-747X
VOLUME 13 (2007) NUMBER 1
Table of Contents
A Note from the Editor, Bruce Gustafson
Articles
-
Michael Klaper, Vom Ballett zur pièce à machines: Entstehung, Aufführung und Rezeption der Oper L'Orfeo (1647)
-
Alessio Ruffatti, «Curiosi e bramosi l'oltramontani cercano con grande diligenza in tutti i luoghi» — La cantata romana del Seicento in Europa
-
Simon Maguire, Johann Jacob Froberger: A Hitherto Unrecorded Autograph Manuscript
-
Bob van Asperen, A New Froberger Manuscript
Review-Essay
-
David Schulenberg, Recent Editions and Recordings of Froberger and Other Seventeenth-Century Composers
Reviews
Books
-
Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict, by Joseph Herl, reviewed by Mary E. Frandsen
-
Music and Women of the Commedia dell’Arte in the Late Sixteenth Century, by Anne MacNeil, reviewed by Kelley Harness
-
The Monteverdi Vespers of 1610: Music, Context, Performance, by Jeffrey G. Kurtzman, reviewed by Massimo Ossi
-
Henry Purcell's Operas: The Complete Texts, edited by Michael Burden, reviewed by Andrew R. Walkling
Critical Editions of Music
-
Jean-Baptiste Lully: Armide: tragédie en musique, edited by Lois Rosow and Jean-Noël Laurenti, reviewed by Graham Sadler
-
Songs with Theorbo (ca.1650–1663), edited by Gordon S. Callon, reviewed by Andrew R. Walkling
Compact Disc
-
Thomas Tomkins: Above the Starrs, Fretwork with Emma Kirkby, Catherine King, Charles Daniels, Donald Greig, Richard Wistreich, and Jonathan Arnold, reviewed by Andrew R. Walkling
Communications
-
Alcina in Alcina, Juliana Gondek
-
Nationality of Dan Laurin and Clas Pehrsson, Phyllis V. Haig
Masthead
Editor-in-Chief: Bruce Gustafson
Reviews Editor: Stephen R. Miller
Copy Editor: Mary Paquette-Abt
Consulting Editor: Kerala J. Snyder
Editorial Board: Mauro Calcagno, Richard Charteris, Georgia Cowart (ex officio, President of the Society for Seventeenth-Century Music), Kenneth Gilbert, Rebecca Harris-Warrick, Wendy Beth Heller, Denis Herlin, John Walter Hill, Jeffrey Kurtzman, Lois Rosow