The Journal of Seventeenth-Century Music

The Journal of Seventeenth-Century Music

Menu

Items appearing in JSCM may be saved and stored in electronic or paper form and may be shared among individuals for all non-commercial purposes. For a summary of the Journal's open-access license, see the footer to the homepage, https://sscm-jscm.org. Commercial redistribution of an item published in JSCM requires prior, written permission from the Editor-in-Chief, and must include the following information:

This item appeared in the Journal of Seventeenth Century Music (https://sscm-jscm.org/) [volume, no. (year)], under a CC BY-NC-ND license, and it is republished here with permission.

Libraries may archive complete issues or selected articles for public access, in electronic or paper form, so long as no access fee is charged. Exceptions to this requirement must be approved in writing by the Editor-in-Chief of JSCM.

Citations of information published in JSCM should include the paragraph number and the URL. The content of an article in JSCM is stable once it is published (although subsequent communications about it are noted and linked at the end of the original article); therefore, the date of access is optional in a citation.

We offer the following as a model:

Noel O’Regan, “Asprilio Pacelli, Ludovico da Viadana and the Origins of the Roman Concerto Ecclesiastico,” Journal of Seventeenth-Century Music 6, no. 1 (2000): par. 4.3, https://sscm-jscm.org/v6/no1/oregan.html.

Volume 13 (2007) No. 1

Alcina in Alcina

From Juliana Gondek*

In the course of an online search, I happened upon Antonia L. Banducci's review-essay in Volume 10, No. 1 of JSCM, “The Opera Atelier Performance (Toronto 2000).” I noticed that one of Dr. Banducci’s references (19) contains an error. She cites the 1987 Opera Theatre of St. Louis production of Alcina directed by Stephen Wadsworth, but incorrectly identifies the “crazed Alcina” as having been “superbly sung by Sylvia McNair.” Sylvia did indeed sing superbly, but she sang the role of Morgana, who did not “roll all over the stage” in this production. The rolling, and the singing of the role of Alcina, was done by me!


* Juliana Gondek (jgondek@ucla.edu) is Distinguished Professor of Voice and Opera, and Chair of the Division of Musical Performance at the University of California at Los Angeles.