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Citations of information published in JSCM should include the paragraph number and the URL. The content of an article in JSCM is stable once it is published (although subsequent communications about it are noted and linked at the end of the original article); therefore, the date of access is optional in a citation.
We offer the following as a model:
Noel O’Regan, “Asprilio Pacelli, Ludovico da Viadana and the Origins of the Roman Concerto Ecclesiastico,” Journal of Seventeenth-Century Music 6, no. 1 (2000): par. 4.3, https://sscm-jscm.org/v6/no1/oregan.html.
PENELOPE GOUK. Music, Science
and Natural Magic in Seventeenth-Century England. New Haven and
London: Yale University Press, 1999. Reviewed
by Thomas Christensen.
DIANE KELSEY McCOLLEY. Poetry
and Music in Seventeenth-Century England. Cambridge: Cambridge University
Press, 1997. Reviewed by Andrew R. Walkling.
PETER WALLS. Music in the English
Courtly Masque, 1604–1640. Oxford: Clarendon Press, 1996. Reviewed
by Janet Pollack.
A Woman Scorn'd: Responses
to the Dido Myth. Edited by Michael Burden. London: Faber and Faber,
1998. Reviewed by Margaret Laurie.
ANDREW ASHBEE and DAVID LASOCKI,
assisted by Peter Holman and Fiona Kisby. A Biographical Dictionary
of English Court Musicians, 1485–1714. Aldershot: Ashgate, 1998.
Reviewed by John Milsom.
BRUCE R. SMITH. The Acoustic
World of Early Modern England: Attending to the O-Factor. Chicago:
University of Chicago Press, 1999. Reviewed
by Ross W. Duffin.
PETER ALLSOP, Arcangelo Corelli: "New Orpheus of Our Times." Oxford: Oxford University Press, 1999.
Reviewed by Gregory Barnett.
EDWARD L. KOTTICK and GEORGE LUCKTENBERG.
Early Keyboard Instruments in European Museums. Bloomington:
Indiana University Press, 1997. Reviewed
by Lisa Crawford.
ALFRED PLANYAVSKY. The Baroque
Double Bass Violone. Translated by James Barket. Lanham, MD. and
London: Scarecrow Press, 1998. Reviewed
by Stephen Bonta.
FRIEDRICH JEKUTSCH, JOACHIM KREMER, and ARNDT SCHNOOR, eds. Christian
Flor (1626–1697), Johann Abraham Peter Schulz (1747–1800): Texte und
Dokumente zur Musikgeschichte Lüneburgs. Veröffentlichungen
der Ratsbücherei Lüneburg, 6; Musik der frühen Neuzeit,
2. Hamburg: von Bockel Verlag, 1997. Reviewed
by Dianne M. McMullen.
FRANCINE LANCELOT. La Belle
Dance: Catalogue raisonné. Paris: Van Dieren, 1996. Reviewed
by Irene Alm.
CRITICAL EDITIONS OF MUSIC
CHIARA MARGARITA COZZOLANI. Motets.
Edited by Robert L. Kendrick. Recent Researches in the Music of the
Baroque Era, 87. Madison: A-R Editions, 1998. Reviewed
by Jeffrey Kurtzman.
Dedication Service for St.
Gertrude's Chapel, Hamburg, 1607. Edited by Frederick K. Gable.
Recent Researches in the Music of the Baroque Era, 91. Madison: A-R
Editions, 1998. Reviewed by Steven Saunders.
JOHN WELDON. The Judgment of
Paris. Edited by David W. Music. Recent Researches in the Music
of the Baroque Era, 94. Madison: A-R Editions, 1998. Reviewed
by Kathryn Lowerre.
JOHANN KLEMM. Partitura seu
Tabulatura italica. Edited by John O. Robison. Recent Researches
in the Music of the Baroque Era, 92. Madison: A-R Editions, 1998. Reviewed
by Stephen Miller.
Orgelmusik av familjen Düben
/ Organ Works by the Düben Family. Edited by Pieter Dirksen.
Bibliotheca Organi Sueciæ, 1. Stockholm: Runa Nototext, 1997 (c.1996). Reviewed by David Harris.
SEBASTIEN LE CAMUS. Airs à deux et trois parties. Edited by Robert A. Green. Recent Researches
in the Music of the Baroque Era, 89. Madison: A-R Editions, 1998. Reviewed
by Sally Sanford.
FACSIMILE EDITIONS OF MUSIC
JEAN-HENRY D'ANGLEBERT. Pièces
de Clavecin: Édition de 1689; Manuscrit Rés 89ter (facsimile edition). Introductions by Philippe Lescat and Jean Saint-Arroman.
La Musique française classique de 1650 à 1800, 5688. Courlay:
Fuzeau, 1999. 2 volumes. Reviewed by Kenneth
Gilbert.
NICOLAS-ANTOINE LEBEGUE. Les
Pièces d'orgue (premier livre), 1676 (facsimile edition).
La Musique française classique de 1650 à 1800, 5634. Courlay:
Fuzeau, 1999. Reviewed by Élisabeth
Gallat-Morin.
MARIN MARAIS. Pièces
en trio, 1692 (facsimile edition). La Musique française classique
de 1650 à 1800, 5638. Courlay: Fuzeau, 1999. 4 part books. Reviewed
by Herbert Schneider.
CHRISTOPHER SIMPSON. The Seasons,
for Two Bass-violls and a Treble with a Through-Bass for the Harpsicord
or Organ (facsimile edition). Introduction by Margaret Urquhart.
Manuscrits 20. Geneva: Minkoff, 1999. 4 parts. Reviewed
by Mary Cyr.
JEAN-NOËL MARCHAND. Cantiques
spirituels (facsimile edition). Introduction by Thierry Favier.
La Musique française classique de 1650 à 1800, 5648. Courlay:
Fuzeau, 1999. 4 fascicles. Reviewed
by Catherine E. Gordon-Seifert.
COMPACT DISC
DIETRICH BUXTEHUDE. Organ Works.
Lena Jacobson, organist. Deutsche Harmonia Mundi (BMG Classics), 1997.
Reviewed by Hans Davidsson.
Editor-in-Chief: Kerala J. Snyder
Reviews Editor: Bruce Gustafson
Technical Editor: Margaret Mikulska
Editorial Assistant: Alexander J. Fisher
Systems Administrator: John B. Howard
Editorial Board: Linda Austern, Stewart A. Carter, Tim Carter, Wendy Beth Heller, John Walter Hill, Jeffrey Kurtzman, Margaret Murata, Lois Rosow, Steven E. Saunders, Alexander Silbiger, Christoph Wolff, Peter Wollny