The Journal of Seventeenth-Century Music
Volume 21 (2015) No. 1
Published 2017
Table of Contents
A Note from the Editor, Kelley Harness
Articles
- Antonia L. Banducci: “Acteurs and Actrices as Muses: The Case for Jean-Baptiste Lully’s Repertory Troupe (1672–86)”
- Andrew H. Weaver: “Toward a New Grammar of Mid-Seventeenth-Century Harmonic Language: Hearing Expressive Harmonies in Motets from the Habsburg Court of Ferdinand III (1637–57)”
Book Reviews
- From Madrigal to Opera: Monteverdi’s Staging of the Self. By Mauro Calcagno. Berkeley: University of California Press, 2015. Reviewed by Andrew Eggert.
- A Performer’s Guide to Seventeenth-Century Music. Edited by Stewart Carter. Revised and Expanded by Jeffery Kite-Powell. Bloomington: Indiana University Press, 2012. Reviewed by Candace Bailey.
- Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. By Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambridge, Mass.: Harvard University Press, 2013. Reviewed by Anthony M. Cummings.
- Giovanni Gabrieli and His Contemporaries: Music, Sources and Collections. By Richard Charteris. Farnham: Ashgate, 2011. Reviewed by Rebecca Edwards.
- The Consort Music of William Lawes, 1602–1645. By John Cunningham. Woodbridge, Suffolk, U.K.: Boydell Press, 2010. Reviewed by Arne Spohr.
- Listening as Spiritual Practice in Early Modern Italy. By Andrew Dell’Antonio. Berkeley: University of California Press, 2011. Reviewed by Stefanie Tcharos.
- Bohemian Baroque: Czech Musical Culture and Style, 1600–1750. By Robert G. Rawson. Woodbridge, Suffolk, U.K.: Boydell Press, 2013. Reviewed by Kimberly Beck Hieb.
