Items appearing in JSCM may be saved and stored in electronic or paper form and may be shared among individuals for all non-commercial purposes. For a summary of the Journal's open-access license, see the footer to the homepage, https://sscm-jscm.org. Commercial redistribution of an item published in JSCM requires prior, written permission from the Editor-in-Chief, and must include the following information:
This item appeared in the Journal of Seventeenth Century Music (https://sscm-jscm.org/) [volume, no. (year)], under a CC BY-NC-ND license, and it is republished here with permission.
Libraries may archive complete issues or selected articles for public access, in electronic or paper form, so long as no access fee is charged. Exceptions to this requirement must be approved in writing by the Editor-in-Chief of JSCM.
Citations of information published in JSCM should include the paragraph number and the URL. The content of an article in JSCM is stable once it is published (although subsequent communications about it are noted and linked at the end of the original article); therefore, the date of access is optional in a citation.
We offer the following as a model:
Noel O’Regan, “Asprilio Pacelli, Ludovico da Viadana and the Origins of the Roman Concerto Ecclesiastico,” Journal of Seventeenth-Century Music 6, no. 1 (2000): par. 4.3, https://sscm-jscm.org/v6/no1/oregan.html.
Copyright © Society for Seventeenth-Century Music.
ISSN: 1089-747X
I. Introduction
1. Prologue
2. Trumpets and Trombones in European Music before the Eighteenth Century
3. Pifferi in European Music before the Eighteenth Century
4. The Civic Trumpets and Pifferi of Siena
5. Civic Trumpet Ensembles and Pifferi in other Italian Cities
Naples
Rome
Florence
Bologna
Ferrara
Mantua
Milan
Bergamo
Other Cities
II. Trumpets, Pifferi and Other Instruments in Venetian Processions and Ceremonies
6. Venetian Processions and Ceremonies
7. Descriptions of Venetian Ducal Processions (Andate)
8. Trombe d'argento in Venetian Ducal Processions
9. Trombe d'argento and the Busine
10. Pifferi in Venetian Ducal Processions
11. Other Instruments in Ducal Processions
12. Trumpets and Pifferi in St. Mark's and other Major Churches
13. The Use of Trumpets and Pifferi by the Scuole grandi
14. The Use of Trumpets and Pifferi by the Scuole piccole
15. Funeral Processions and Ceremonies
III. Pictorial Representations of Venetian Processions
16. Gentile Bellini's Processione della Croce in Piazza San Marco of 1496
17. Matteo Pagan's Woodcut of a Ducal Procession, 1556–59
18. Jost Amman's Woodcut of a Ducal Procession, c. 1560
19. Trombe d'argento and Pifferi in Giacomo Franco's Engravings of 1610
20. The Procession of J. van Vianen Published by Pieter van der Aa
21.Comparison of Bellini's, Pagan's, Amman's, Franco's and Vianen's Processions
22. The Coronation of the Dogaressa Morosina Morosini Grimani in 1597
23. Vicentino's Paintings of the Coronation of the Dogaressa
24. Giacomo Franco's Engravings of the Coronation of the Dogaressa
25. Giovanni Grevembroch's Illustration of Trombe d'argento
26. Grevembroch's Illustration of a Suonatore di Piffero
27. Iconographical Representations of Heraldic Trumpets
28. Mid-length Straight Trumpets in Venetian Iconography
29. Iconographical Allegories with Mid-length and Short Straight Trumpets
30. Categories of Iconography: Heavenly and Mythical Allegorical Scenes
31. Categories of Iconography: Allegories of Religious Events
32. Categories of Iconography: Historical Events
IV. Descriptions in Venetian Chronicles of Trombe, Trombe squarciate, and Pifferi
33. Marin Sanudo's References to Trombe squarciate
34. Summary of Marin Sanudo's Instrumental Terminology
35. Further References to Trombe and Pifferi in Venetian Chronicles and Documents
36. Association of Trumpets with Drums
V. Unraveling the Identity of Trombe squarciate
37. The Etymology and Meaning of the Term Tromba squarciata
38. Extant Mid-length Straight Trumpets
39. Trumpet Bells in the Sixteenth and Seventeenth Centuries
40. Wide Trumpet Bells in Venetian Iconography
41. Summary of Types of Trumpets in Venetian Iconography
42. Size and Pitch of Trombe squarciate
43. Trombe squarciate in Monteverdi's "Mass of Thanksgiving," November 21, 1631
44. Contradictory Evidence: Trombones and the Term Squarciato
45. A Hypothesis about Trumpets in Venice
46. Summary of Argument Regarding Trombe squarciate
Communication
Andreas Pilger: More on Trumpets and Trombones in Sixteenth- and Seventeenth-Century Venice
Jeffrey Kurtzman Responds