Volume 17 (2011) No. 1

Janet K. Page

Sirens on the Danube: Giulia Masotti and Women Singers at the Imperial Court

Table 1. Female Professional Musicians at the Imperial Court in the Seventeenth Century

Name

Dates

Dates of employment

Voice or instrument

Nature of Employment

Angela Staupin

1617-18

singer, lutenist?

Imperial court, Kammermusikantin

Virginia Ramponi Andreini

1583-1629/30

1627

singer

Resident at court with I comici fedeli, a troupe of Mantuan actors

Virginia Rotari, Prudenza Cavriani, Isabella Cima[a]

1627-29

Italian comedians

Members of I comici fedeli

*Lucia Rubini[b]

d. 1638

1627-38

singer

Imperial court, chamber music: paid 600 fl. yearly from 1637[c]

*Margherita Basile Cattaneo

d. after 1641

1630-41

singer, composer?

Imperial court, chamber music: paid 2000 fl. yearly from 1637[d]

***Leonora Rubini

1634-38

singer

Appeared in La gara musicale with her mother Lucia Rubini in 1634

Lucia Gentile[e]

1637-45

musician

Imperial court: paid 150 fl. annually 1637-45

Catharina Strasoldi[f]

1637-45

musician

Imperial court: paid 360 fl. annually 1637-45

Barbara Degliati[g]

1637-57

musician

Imperial court: paid 200 fl. annually 1637-57

*Maria Bertali

ca.1617-July 1, 1666

1637-66

singer

Imperial court:

paid 360 fl. annually from 1637[h]

*Francesca Rossi

ca.1603-Nov. 22, 1666

1637-66

singer

Imperial court, Kammermusikantin: paid 360 fl. annually from 1637[i]

**Maria Giordana[j]

1637-42

singer

Imperial court: paid 200 fl. annually from 1637. Instructed by Ludovico Bartolomeo.

*Benigna Paradisi[k]

ca.1554-Nov. 22, 1648

1637-52?

musician?

Imperial court

*Bartolomea Pagioli[l]

ca.1591-July 26, 1651

1637-51

singer

Imperial court: paid 360 fl. annually from 1637

**girl, age 12

ca.1650-?

1662-3

singer

Court of Dowager Empress Eleonora Gonzaga-Nevers

***Maria Anna von Raschenau[m]

ca.1650-1714

1669-72

singer, composer, instrumentalist

Imperial court, chamber music

*Maria Elisabeth Masucci[n]

?1669-85

musician

Imperial court, chamber music

*Maria Neuman[o]

d. 1702

?1669-1701

musician

Imperial court, chamber music

Bornasin[p]

1669

musician

Imperial court, chamber music

*Pagiolin[q]

1669

musician

Imperial court, chamber music

*Signora Poncelli

1670

singer

Performed for Dowager Empress Eleonora Gonzaga-Nevers

*Giulia Masotti

ca.1650-1701

1673-1701

singer

Court of Empress Claudia Felicitas, chamber music; imperial court, opera

**“Una ragazza che canta di musica”

1674-?

singer

Court of Empress Claudia Felicitas, chamber music

**, ***Juttina, an imperial Kammerfräulein

1674

singer

Imperial court, opera performance

La Pandolfina[r]

1674

singer

Sang before the empress in 1674

***Theresia Schmelzer

1673-8

violinist, Kammer-dienerin

Kammerdienerin to Empress Claudia Felicitas and Empress Eleonora Magdalena

**, ***Anna Maria del Riccio

1676?-86

musician

Court of Empress Claudia Felicitas

* Married to a court musician

** Young girl

*** Daughter or other relative of a court musician or other court employee

[a] Schindler, “Viaggi teatrali,” esp. 136-38.

[b] Sommer-Mathis, “‘La gara musicale,’” 82-84.

[c] A-Whh [henceforth Hoffstatts Buech Ferdinand III], fol. 118r (“Musicallische Weibs-Perszohnen”). See ref. 31.

[d] Hoffstatts Buech Ferdinand III, fol. 118r; see ref. 31.

[e] Sommer-Mathis, “‘La gara musicale,’” 82-3. On Gentile, Strasoldi, and Degliati, see ref. 31. All three were named in A-Wös Finanz-und Hofkammerarchiv, Sonderstände, Sammlungen und Selekte, Hofzahlamtsbücher [henceforth Hofzahlamtsbücher] 84 (1637-9, fol. 167v), 85 (1639, fol. 93r-v), 86 (1640, fols. 86v-87r), 87 (1641, fols. 90v-91r), 88 (1642, fol. 130v), and 91 (1645), 220r.

[f] See ref. e.

[g] See ref. e. Degliati appears in the Hofzahlamtsbücher up to 1657. In 1657 she was listed as being paid 150 fl. annually. Hofzahlamtsbücher 103 (1657), fol. 196r.

[h] Hoffstatts Buech Ferdinand III, fol. 118r (see ref. 31). See 3.3-3.4.

[i] Hoffstatts Buech Ferdinand III, fol. 118r (see ref. 31). See 3.4.

[j] Hoffstatts Buech Ferdinand III, fol. 118v (see ref. 31). Giordana (Jordanin) was being instructed in music by the tenor Lodovico Bartholaia in 1637 and was granted the continuation of a stipend in 1641: see Knaus, Die Musiker im Archivbestand des kaiserlichen Obersthofmeisteramtes, 1:89, 108. She is listed in the Hofzahlamtsbücher 87 (1641), fol. 91r, and 88 (1642), fol. 131r. She was perhaps a relative of the soprano Torquato Giordani, who served the imperial court 1638-40.

[k] Paradisi is listed with Bertali and Rossi among the Frauen in 1637 and in the following years, up to 1645, but if she is the widow Benigna Paradisin who died on November 22, 1648, aged ninety-four, it seems more likely that she was receiving a pension than being paid as a performer (A-Wsa Totenbeschauprotokoll; her husband’s name is not mentioned, but her name is sufficiently unusual to be fairly certain that this is the same woman).

[l] Hoffstatts Buech Ferdinand III, fol. 118v (see ref. 31). Pagioli is also listed with Bertali and Rossi in the Hofzahlamtsbücher among the Frauen in 1637 and in the following years, until 1647. She was paid a stipend of 30 fl. a month (360 fl. yearly) from 1637. Her relative Balthasar Pagioli appears among the altos in 1637-58 (Köchel, Die Kaiserliche Hof-Musikkapelle in Wien, 59). A document of May 13, 1640, names both Pagiolis: “Baldassare et Bartolomea Pagioli musici umb Provision”: Knaus, Die Musiker im Archivbestand des kaiserlichen Obersthofmeisteramtes, 1:104.

[m] Page, “‘A Lovely and Perfect Music,’” 403-21.

[n] Masucci appears in A-Wös, Hofzahlamtsbücher 225 (1669): Geheime Kammerahlamts Rechnung 1669, fols. 50r-51v, in a list of “Musici”: “Masuzi … 225 [fl.]: Seiner Frau … 29.30 [fl.].” One “Bornasin” also appears in this list, as do “Raschin,” Neumannin,” and “Bagliolin.” Maria Elisabeth Masucci, wife of the tenor Antonio Masucci, appears among the Frauen in 1670 and received further payments in later years here or under the section devoted to “Deputata, Pensionen und Studien Verlag.” She is probably the “Giovane Alamana di honori Parenti” (the name Maria Elisabeth is indeed a Germanic one) whom Antonio intended to marry in February 1655, at which time he petitioned the emperor for an extra payment, “because marriage is very expensive in this country.” He was granted a wedding present of 200 fl. (A-Wös, Finanz-und Hofkammerarchiv, Niederösterreichische Herrschaftsakten W-61/A/32/B, fol. 609, dated February 15, 1655).

[o] See ref. n. Neuman was listed in the Hofzahlamtsbücher until her death in 1702. In 1670 she received a stipend for the education of her sons, who were to devote themselves to music (Hofzahlamtsbücher 113 (1670), 291r). She was apparently the widow of the court trombonist Christoph Neumann, who died in 1669 leaving a widow and ten children, including four sons: Knaus, Die Musiker im Archivbestand des kaiserlichen Obersthofmeisteramtes, 2:8, 3:102-3.

[p] See ref. n.

[q] See ref. n. After the death of Bartolomea Paggioli, the court musico Philippo Vismarri petitioned for permission to bring his sister from Italy to marry Baldassare Paggioli; see Knaus, Die Musiker im Archivbestand des kaiserlichen Obersthofmeisteramtes,1:49.

[r] See ref. 55.