The Journal of Seventeenth-Century Music

The Journal of Seventeenth-Century Music

Menu

Items appearing in JSCM may be saved and stored in electronic or paper form and may be shared among individuals for all non-commercial purposes. For a summary of the Journal's open-access license, see the footer to the homepage, https://sscm-jscm.org. Commercial redistribution of an item published in JSCM requires prior, written permission from the Editor-in-Chief, and must include the following information:

This item appeared in the Journal of Seventeenth Century Music (https://sscm-jscm.org/) [volume, no. (year)], under a CC BY-NC-ND license, and it is republished here with permission.

Libraries may archive complete issues or selected articles for public access, in electronic or paper form, so long as no access fee is charged. Exceptions to this requirement must be approved in writing by the Editor-in-Chief of JSCM.

Citations of information published in JSCM should include the paragraph number and the URL. The content of an article in JSCM is stable once it is published (although subsequent communications about it are noted and linked at the end of the original article); therefore, the date of access is optional in a citation.

We offer the following as a model:

Noel O’Regan, “Asprilio Pacelli, Ludovico da Viadana and the Origins of the Roman Concerto Ecclesiastico,” Journal of Seventeenth-Century Music 6, no. 1 (2000): par. 4.3, https://sscm-jscm.org/v6/no1/oregan.html.

VOLUME 16 (2010) NUMBER 1

Published 2013

Table of Contents

A Note from the Editor, Kelley Harness

Articles

Book Reviews

  • A Muse of Music in Early Baroque Florence: The Poetry of Michelangelo Buonarroti il Giovane. By Janie Cole. Florence: Leo S. Olschki, 2007. Reviewed by Paul Schleuse.

  • Francesca Caccini at the Medici Court: Music and the Circulation of Power. By Suzanne G. Cusick.  Chicago and London: The University of Chicago Press, 2009. Reviewed by Andrew Dell’Antonio.

  • Monteverdi’s Last Operas: A Venetian Trilogy. Ellen Rosand. Berkeley: University of California Press, 2007. Reviewed by Emily Wilbourne.

  • Editing Music in Early Modern Germany. By Susan Lewis Hammond. Burlington, VT: Ashgate, 2007. Reviewed by John Kmetz.

Musical Edition Review

  • Francesco Rossi, Ludovico Busca, Pietro Simone Agostini: Un’opera per Elisabetta d’Inghilterra, “Le regina Floridea” (Milan 1670). Edizione critica del libretto di Teodoro Barbò e della musica di Francesco Rossi, Ludovico Busca, Pietro Simone Agostini. Edited by Carlo Lanfossi. Milan: LED Edizioni Universitarie di Lettere Economia Diritto, 2009. Il Filarete, vol. 263. Reviewed by Margaret Murata.

Recording Review

  • Henry Purcell, Dido and Aeneas, The Royal Opera/The Royal Ballet. Director and Choreographer Wayne McGregor; Orchestra of the Age of Enlightenment, Conductor Christopher Hogwood DVD (Opus Arte: OA 1018D, 2009). Reviewed by Amanda Eubanks Winkler.


Masthead

Editor-in-Chief: Kelley Harness
Reviews Editor: Beth Glixon
Editorial Assistant: Mary Paquette-Abt

Editorial Board: Gregory Barnett
Richard Charteris
Alexander Fisher
Kenneth Gilbert
Rebecca Harris-Warrick
Wendy Heller
Denis Herlin
Jeffrey Kurtzman
Lois Rosow (ex officio, President of the Society for Seventeenth-Century Music)

Past Editors: Kerala Snyder
Bruce Gustafson