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Copyright © Society for Seventeenth-Century Music.
ISSN: 1089-747X
Published 2013
A Note from the Editor, Kelley Harness
Rebecca Harris-Warrick: Reading Roland
Colleen Reardon: Launching the Career of a secondo uomo in Late Seventeenth-Century Italy
A Muse of Music in Early Baroque Florence: The Poetry of Michelangelo Buonarroti il Giovane. By Janie Cole. Florence: Leo S. Olschki, 2007. Reviewed by Paul Schleuse.
Francesca Caccini at the Medici Court: Music and the Circulation of Power. By Suzanne G. Cusick. Chicago and London: The University of Chicago Press, 2009. Reviewed by Andrew DellAntonio.
Monteverdis Last Operas: A Venetian Trilogy. Ellen Rosand. Berkeley: University of California Press, 2007. Reviewed by Emily Wilbourne.
Editing Music in Early Modern Germany. By Susan Lewis Hammond. Burlington, VT: Ashgate, 2007. Reviewed by John Kmetz.
Francesco Rossi, Ludovico Busca, Pietro Simone Agostini: Unopera per Elisabetta dInghilterra, Le regina Floridea (Milan 1670). Edizione critica del libretto di Teodoro Barbò e della musica di Francesco Rossi, Ludovico Busca, Pietro Simone Agostini. Edited by Carlo Lanfossi. Milan: LED Edizioni Universitarie di Lettere Economia Diritto, 2009. Il Filarete, vol. 263. Reviewed by Margaret Murata.
Henry Purcell, Dido and Aeneas, The Royal Opera/The Royal Ballet. Director and Choreographer Wayne McGregor; Orchestra of the Age of Enlightenment, Conductor Christopher Hogwood DVD (Opus Arte: OA 1018D, 2009). Reviewed by Amanda Eubanks Winkler.
Editor-in-Chief: Kelley Harness
Reviews Editor: Beth Glixon
Editorial Assistant: Mary Paquette-Abt
Editorial Board: Gregory Barnett
Richard Charteris
Alexander Fisher
Kenneth Gilbert
Rebecca Harris-Warrick
Wendy Heller
Denis Herlin
Jeffrey Kurtzman
Lois Rosow (ex officio, President of the Society for Seventeenth-Century Music)
Past Editors: Kerala Snyder
Bruce Gustafson