The Journal of Seventeenth-Century Music
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Copyright © Society for Seventeenth-Century Music.
ISSN: 1089-747X
VOLUME 15 (2009) NUMBER 1
Published 2013
Table of Contents
A Note from the Editor, Bruce Gustafson
Articles
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Roger Freitas, “Tranquilla guerra e cara”: Two Musical Metaphors in the Cantatas of Luigi Rossi
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Andrew Woolley, The Harpsichord Music of Richard Ayleward (?1626–1669), “an Excellent Organist” of the Commonwealth and Early Restoration
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Timothy De Paepe, French Opera in Print and on Stage in Antwerp: Three Generations of Antwerp Book Publishers and Their Opera Librettos (1682–1714)
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Patrick Wood Uribe, “On that single Instrument a full Consort”: Thomas Baltzar’s Works for Solo Violin and “the grand metamorfosis of musick”
Review-Essay
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Buxtehude’s Free Organ Works: Die freien Orgelwerke Dieterich Buxtehudes: Überlieferungsgeschichtliche und stilkritische Studien, 3rd ed., edited by Michael Belotti, reviewed by Kerala J. Snyder
Reviews
Books
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Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in Seventeenth-Century Dresden, by Mary E. Frandsen, reviewed by Alexander J. Fisher
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How Early America Sounded, by Richard Cullen Rath, reviewed by Mariana Whitmer
Critical Editions of Music
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Thomas Elsbeth: Sontägliche Evangelien, edited by Allen Scott, reviewed by Kathryn Welter
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Marc-Antoine Charpentier: Motets pour chœur, vol. 8, edited by Théodora Psychoyou, reviewed by Shirley Thompson
Communication
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Previously Unknown Charpentier Manuscript at Indiana University’s Lilly Library, Carla Williams
Masthead
Editor-in-Chief: Bruce Gustafson
Reviews Editor: Beth L. Glixon
Copy Editor: Mary Paquette-Abt
Consulting Editor: Kerala J. Snyder
Editorial Board: Gregory Barnett, Richard Charteris, Kenneth Gilbert, Rebecca Harris-Warrick, Wendy Beth Heller, Denis Herlin, John Walter Hill, Jeffrey Kurtzman, Lois Rosow (ex officio, President of the Society for Seventeenth-Century Music)