Positioning the references: References may appear either at the right-hand side or at the foot of the screen. Readers can change the position of the references by changing the width of the window. To change the width, either drag the edge of the window or adjust the magnification (Ctrl+ or Ctrl- on PC, Cmd+ or Cmd- on Macintosh).
Reading the references: Use the note numerals to move back and forth between the main text and the references. The links work in both directions. The linked object will move to the top of its frame.
Opening linked files: In recent issues of JSCM, most examples, figures, and tables, along with their captions, open as overlays, covering the text until they are closed. Nevertheless, readers have choices. In most browsers, by right-clicking the hyperlink (PC or Macintosh) or control-clicking it (Macintosh), you can access a menu that will give you the option of opening the linked file (without its caption) in a new tab, or even in a new window that can be resized and moved at will.
Printing JSCM articles: Use the “print” link on the page or your browser’s print function to open a print dialog for the main text and endnotes. To print a linked file (e.g., an example or figure), either use the “print” command on the overlay or open the item in a new tab (see above).
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This item appeared in the Journal of Seventeenth Century Music (https://sscm-jscm.org/) [volume, no. (year)], under a CC BY-NC-ND license, and it is republished here with permission.
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Citations of information published in JSCM should include the paragraph number and the URL. The content of an article in JSCM is stable once it is published (although subsequent communications about it are noted and linked at the end of the original article); therefore, the date of access is optional in a citation.
We offer the following as a model:
Noel O’Regan, “Asprilio Pacelli, Ludovico da Viadana and the Origins of the Roman Concerto Ecclesiastico,” Journal of Seventeenth-Century Music 6, no. 1 (2000): par. 4.3, https://sscm-jscm.org/v6/no1/oregan.html.
Copyright © 1995–2026 Society for Seventeenth-Century Music.
ISSN: 1089-747X
In this issue we visit Venice, Milan, and London. Jennifer Williams Brown identifies the house where Cavalli lived and wrote his operas; she uses the documentary record to imagine its floor plan, furnishings, and activity, and ruminates poetically on the parallels between compositional and architectural process. Michael Carlson considers Aquilino Coppini’s contrafacts of Monteverdi’s madrigals; he argues both for Coppini’s unique approach to the genre and for the likelihood that Monteverdi and Coppini, together, designed Coppini’s third book as a vehicle for improving their professional circumstances. Nicholas Field examines the tension in late seventeenth-century England between love of Italian music and anti-Catholicism; he argues that the well-educated classes coped by giving musical activity the veneer of scientific progress serving the national interest.
Also in this issue: The editorial board has decided to introduce a new series of reviews, “Belatedly Noted.” Our aim is to recognize important books that, for whatever reason, slipped through our book review process when they were new. Two of us have produced the first such offering, a look at three indispensable reference works on French music of the period. See the editorial note there for information on how you might contribute to the series.
Finally, I honor the memory of Jennifer Williams Brown, who presented the oral version of her article in 2024, at the annual conference of the Society for Seventeenth-Century Music, held at Princeton University. By then, ALS had stolen her voice, so a colleague read the paper on her behalf. We gave Jennifer a standing ovation, both in recognition of her impressive scholarship and in support of a dear friend facing a cruel disease. Jennifer died while the article was in press. As I made final edits, I found poignancy in the first-person focus of the article, often in present tense. Rest in peace, Jennifer.
Lois Rosow
Editor-in-Chief
rosow.1@osu.edu