The Journal of Seventeenth-Century Music
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The Journal of Seventeenth-Century Music

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This item appeared in the Journal of Seventeenth Century Music (https://sscm-jscm.org/) [volume, no. (year)], under a CC BY-NC-ND license, and it is republished here with permission.

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Citations of information published in JSCM should include the paragraph number and the URL. The content of an article in JSCM is stable once it is published (although subsequent communications about it are noted and linked at the end of the original article); therefore, the date of access is optional in a citation.

We offer the following as a model:

Noel O’Regan, “Asprilio Pacelli, Ludovico da Viadana and the Origins of the Roman Concerto Ecclesiastico,” Journal of Seventeenth-Century Music 6, no. 1 (2000): par. 4.3, https://sscm-jscm.org/v6/no1/oregan.html.

‹‹ Table of Contents
Volume 27 (2021) No. 1

A Note from the Editor

For only the second time in its twenty-seven-year history, JSCM is publishing two issues this year: a spring issue in addition to our usual one in autumn. In this issue Jeffery Kite-Powell considers the historical context and performance-practice implications of a set of organ tablature manuscripts from Slovakia, while Marica Tacconi demonstrates that three Venetian manuscripts appearing to be from the Seicento are actually elegant forgeries representing an entirely different cultural period. Both articles rely heavily on full-color illustrations, one of the advantages of online publication.

Readers who are new to the Journal might want to consult the “Reading JSCM” pop-up at the top of each article or review starting with volume 17. It gives information on choices available to you as you read.

Finally, my thanks to Kimberly Beck Hieb, who recently stepped down as editorial assistant. I wish her well in her role as associate editor of our sister publication, the Web Library of Seventeenth-Century Music, http://sscm-wlscm.org.

Lois Rosow
Editor-in-Chief
rosow.1@osu.edu