The Journal of Seventeenth-Century Music
The Journal of Seventeenth-Century Music
Menu

The Journal of Seventeenth-Century Music

Positioning the references: References may appear either at the right-hand side or at the foot of the screen. Readers can change the position of the references by changing the width of the window. To change the width, either drag the edge of the window or adjust the magnification (Ctrl+ or Ctrl- on PC, Cmd+ or Cmd- on Macintosh).

Reading the references: Use the note numerals to move back and forth between the main text and the references. The links work in both directions. The linked object will move to the top of its frame.

Opening linked files: In recent issues of JSCM, most examples, figures, and tables, along with their captions, open as overlays, covering the text until they are closed. Nevertheless, readers have choices. In most browsers, by right-clicking the hyperlink (PC or Macintosh) or control-clicking it (Macintosh), you can access a menu that will give you the option of opening the linked file (without its caption) in a new tab, or even in a new window that can be resized and moved at will.

Printing JSCM articles: Use the “print” link on the page or your browser’s print function to open a print dialog for the main text and endnotes. To print a linked file (e.g., an example or figure), either use the “print” command on the overlay or open the item in a new tab (see above).

Items appearing in JSCM may be saved and stored in electronic or paper form and may be shared among individuals for all non-commercial purposes. For a summary of the Journal's open-access license, see the footer to the homepage, https://sscm-jscm.org. Commercial redistribution of an item published in JSCM requires prior, written permission from the Editor-in-Chief, and must include the following information:

This item appeared in the Journal of Seventeenth Century Music (https://sscm-jscm.org/) [volume, no. (year)], under a CC BY-NC-ND license, and it is republished here with permission.

Libraries may archive complete issues or selected articles for public access, in electronic or paper form, so long as no access fee is charged. Exceptions to this requirement must be approved in writing by the Editor-in-Chief of JSCM.

Citations of information published in JSCM should include the paragraph number and the URL. The content of an article in JSCM is stable once it is published (although subsequent communications about it are noted and linked at the end of the original article); therefore, the date of access is optional in a citation.

We offer the following as a model:

Noel O’Regan, “Asprilio Pacelli, Ludovico da Viadana and the Origins of the Roman Concerto Ecclesiastico,” Journal of Seventeenth-Century Music 6, no. 1 (2000): par. 4.3, https://sscm-jscm.org/v6/no1/oregan.html.

‹‹ Table of Contents
Volume 23 (2017) No. 1

A Note from the Editor

In this issue we introduce a new feature, the first JSCM “forum”: a symposium bringing together several brief essays that consider an idea from different points of view. I invite proposals for future forums and hope this becomes a regular component of the Journal.

This issue of JSCM and its predecessor share a focus on music for the theater. Jonathan Gibson’s article considers a familiar attribute of Lully’s operas—the moment when a divertissement gives way to dialogue—from the point of view of contemporaneous French aesthetics. The four participants in the forum—Rose Pruiksma, Mauro Calcagno, Wendy Heller, and Amanda Eubanks Winkler—consider the “perils and pleasures” of using DVDs to teach Baroque opera, with particular attention to helping students understand directorial choices. Jeffrey Kurtzman’s review, concerned more with the church than the theater, deals with a different sort of DVD, one purporting to be a documentary.

With the publication of this issue, the fifth to appear in the space of a year, JSCM is finally back on schedule, after falling behind several years ago. This accomplishment required unusual resources: two overlapping editors-in-chief, and a particularly generous infusion of funds from our parent organization, the Society for Seventeenth-Century Music. SSCM is pleased to provide open-access publications, available to all without charge. At the same time, professional technical support is costly, and the Society gratefully accepts donations from appreciative readers. If you are so inclined, please see the Donations to JSCM page.

As regular readers know, for several months we have been engaged in an additional project: correcting formatting errors throughout the first sixteen volumes of JSCM. The errors were introduced when we imported these volumes into a new template to escape the old template’s many layers of obsolete HTML code. We are aware of the problems in the older issues and appreciate your patience as we work to correct them.

Finally, I call your attention to a new item on the sidebar of the Journal’s homepage and associated pages: “Reading JSCM.” I offer these navigational suggestions in response to inquiries from readers. [“Reading JSCM” now appears as a pop-up in the headings of individual articles and reviews.—Ed., December 2020]

Lois Rosow
Editor-in-Chief