The Journal of Seventeenth-Century Music
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ISSN: 1089-747X
VOLUME 9 (2003) NUMBER 1
In Armonia Favellare: Report of the International Conference on Early Opera and Monody to Commemorate the 400th Anniversary of the Italian Music Dramas of 1600, Held at the University of Illinois, Urbana-Champaign, October 5-8, 2000
A Special Issue Dedicated to the Memory of Claude V. Palisca
John Walter Hill, Editor
Table of Contents
JOHN WALTER HILL, Introduction
BARBARA RUSSANO HANNING, In memoriam Claude V. Palisca
Articles
- MAURO CALCAGNO (Harvard University), Monteverdi’s parole sceniche
- TIM CARTER (University of North Carolina), Rediscovering Il rapimento di Cefalo
- FRANCESCA CHIARELLI (Royal Holloway and Bedford New College, University of London), Before and After: Ottavio Rinuccini’s mascherate and their Relationship to the Operatic Libretto
- VICTOR COELHO (University of Calgary), The Players of Florentine Monody in Context and in History, and a Newly Recognized Source for Le nuove musiche
- BARBARA RUSSANO HANNING (The City College of New York, CUNY), The Ending of L’Orfeo: Father, Son, and Rinuccini
- KELLEY HARNESS (University of Minnesota), Le tre Euridici: Characterization and Allegory in the Euridici of Peri and Caccini
- JOHN WALTER HILL (University of Illinois, Urbana-Champaign), Beyond Isomorphism toward a Better Theory of Recitative
- ROBERT L. KENDRICK (University of Chicago), What’s So Sacred about Sacred Opera? Reflections on the Fate of a (Sub)Genre
- JEFFREY KURTZMAN (Washington University), Deconstructing Gender in Monteverdi’s L’Orfeo
- SILKE LEOPOLD (Universität Heidelberg), Die Anfänge von Oper und die Probleme der Gattung (The Beginnings of Opera and Problems of Genre)
- SARA MAMONE (Università degli Studi, Florence), Most Serene Brothers-Princes-Impresarios: Theater in Florence under the Management and Protection of Mattias, Giovancarlo, and Leopoldo de’ Medici
- ARNALDO MORELLI (Università della Calabria), The Chiesa Nuova in Rome about 1600: Music for the Church, Music for the Oratory
- MARGARET MURATA (University of California, Irvine), “Singing,” “Acting,” and “Dancing” in Vocal Chamber Music of the Early Seicento
- CLAUDE V. PALISCA (Yale University), Aria Types in the Earliest Operas
- LOUISE K. STEIN (University of Michigan), The Origins and Character of recitado
- JAMES TYLER (University of Southern California), The Role of the Guitar in the Rise of Monody: The Earliest Manuscripts
Communications
- A Note From the Editor of the Journal of Seventeenth-Century Music, Kerala J. Snyder.
Masthead
Editor-in-Chief: Kerala J. Snyder
Reviews Editor: Bruce Gustafson
Technical Editor: Margaret Mikulska
Editorial Board: Linda Austern, Stewart A. Carter, Tim Carter, Wendy Beth Heller, John Walter Hill, Jeffrey Kurtzman, Margaret Murata, Lois Rosow, Steven E. Saunders, Alexander Silbiger, Christoph Wolff, Peter Wollny