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Volume 9 (2003) No. 1

Robert L. Kendrick

What’s So Sacred about “Sacred” Opera? Reflections on the Fate of a (Sub)Genre

figure 2
 Rospigliosi/Landi, Il Sant’Alessio, “deceptive” holy speech (II, vi; 1634 score, p. 99)

Return to paragraph 4.2.