Volume 9 (2003) No. 1
Kelley Harness
Le tre Euridici: Characterization and Allegory in the Euridici of Peri and Caccini
Example 4
Jacopo Peri, Le musiche sopra l’Euridice (Florence,
1601), 32: Pluto’s musical “thumbprint” and Orfeo’s
use of it in response (scene 4)
