Journal of Seventeenth-Century Music

JSCM Volume 21, No. 1 (2015, Published 2017)
Weaver, Toward a New Grammar of Mid-Seventeenth-Century Harmonic Language: Hearing Expressive Harmonies in Motets from the Habsburg Court of Ferdinand III (1637–57)

Audio Example 2

Antonio Bertali, Exultate et cantate, mm. 43–56. Click here for a recording of the entire composition. Rachel Evangeline Barham, soprano; Tracy Elizabeth Cowart, mezzo-soprano; Paul Zolandz, bass-baritone; Wen-Ni Chen, cello; Joy-Leilani Garbutt, harpsichord; Mark Willey, organ. The performance was based on the following edition: Motets by Emperor Ferdinand III and Other Musicians from the Habsburg Court, 1637–1657, ed. Andrew H. Weaver, Collegium Musicum: Yale University, Series 2, vol. 18 (Middleton, Wis.: A-R Editions, Inc., 2012). Used with permission. www.areditions.com

JSCM Volume 21, No. 1 (2015, Published 2017) Weaver, Toward a New Grammar of Mid-Seventeenth-Century Harmonic Language: Hearing Expressive Harmonies in Motets from the Habsburg Court of Ferdinand III (1637–57)

Audio Example 2

Example 6. Antonio Bertali, Exultate et cantate, mm. 43–56

JSCM Volume 21, No. 1 (2015, Published 2017)
Weaver, Toward a New Grammar of Mid-Seventeenth-Century Harmonic Language: Hearing Expressive Harmonies in Motets from the Habsburg Court of Ferdinand III (1637–57)