Journal of Seventeenth-Century Music

JSCM Volume 21, No. 1 (2015, Published 2017)
Weaver, Toward a New Grammar of Mid-Seventeenth-Century Harmonic Language: Hearing Expressive Harmonies in Motets from the Habsburg Court of Ferdinand III (1637–57)

Audio Example 6

Giovanni Felice Sances, Audi Domine, mm. 49–85. Click here for a recording of the entire composition. Rachel Evangeline Barham, soprano; Tracy Elizabeth Cowart, mezzo-soprano; Gregory Lima, tenor; Paul Zolandz, bass-baritone; Joy-Leilani Garbutt, harpsichord; Mark Willey, organ; The Catholic University of America Chamber Players, David Mathers, conductor. The performance was based on the following edition: Giovanni Felice Sances: Motetti a 2, 3, 4, e cinque voci (1642), ed. Andrew H. Weaver, Recent Researches in the Music of the Baroque Era 148 (Middleton, Wis.: A-R Editions, Inc., 2007). Used with permission. www.areditions.com

JSCM Volume 21, No. 1 (2015, Published 2017) Weaver, Toward a New Grammar of Mid-Seventeenth-Century Harmonic Language: Hearing Expressive Harmonies in Motets from the Habsburg Court of Ferdinand III (1637–57)

Audio Example 6

Example 29. Giovanni Felice Sances, Audi Domine, mm. 49–85

JSCM Volume 21, No. 1 (2015, Published 2017)
Weaver, Toward a New Grammar of Mid-Seventeenth-Century Harmonic Language: Hearing Expressive Harmonies in Motets from the Habsburg Court of Ferdinand III (1637–57)